Categoria: Scouting History

Introduction

Joseph Rudyard Kipling (December 30, 1865 – January 18, 1936) was a British author and poet, born in India. He is best known for the book of children's tales The Jungle Book (1894), the Indian spy novel Kim (1901), the poems "Gunga Din" (1892), and "If—" (1895), as well as many of his short stories.

The height of Kipling's popularity was the first decade of the 20th century: in 1907, he was awarded the Nobel Prize for Literature and still remains its youngest-ever recipient, as well as the first English language writer to receive the prize.

In his own lifetime he was primarily regarded as a poet, and was offered a knighthood and the post of British poet laureate, though he turned them both down.

Kipling's childhood

Kipling was born in Bombay (today Mumbai), India; the house in which he was born still stands on the campus of the Sir J.J. Institute of Applied Art in Bombay. His father was John Lockwood Kipling, a teacher at the local Jeejeebhoy School of Art, and his mother was Alice Macdonald. The couple had courted at Rudyard Lake in Staffordshire, England, hence Kipling's name. As a 6-year-old, he and his 3-year-old sister were sent to England and cared for by a woman named Mrs. Holloway. The poor treatment and neglect he experienced until he was rescued at the age of 12 may have influenced his writing, in particular his sympathy with children. His maternal aunt was married to the artist Edward Burne-Jones, and young Kipling and his sister spent Christmas holidays with the Burne-Joneses in England from the ages of 6 to 12, while his parents remained in India. Kipling was a cousin of the three-time Prime Minister Stanley Baldwin.

After a spell at a boarding school, the United Services College, which provided the setting for his schoolboy stories of Stalky & Co., Kipling returned to India, to Lahore (in modern-day Pakistan) where his parents were then working, in 1882. He began working as a sub-editor for a small local newspaper, the Civil & Military Gazette, and continued tentative steps into the world of poetry; his first professional sales were in 1883.


Early travels

By the mid-1880s, he was traveling around India as a correspondent for the Allahabad Pioneer. His fiction sales also began to bloom, and he published six short books in 1888. One short story dating from this time is "The Man Who Would Be King."

The next year, Kipling began a long journey back to England, going through Burma, China, Japan, and California before crossing the United States and the Atlantic Ocean, and settling in London. His travel account From Sea to Sea and Other Sketches, Letters of Travel, is based upon newspaper articles he wrote at that time. From then on, his fame grew rapidly, and he positioned himself as the literary voice most closely associated with the imperialist tempo of the time, in the United Kingdom (and, indeed, the rest of the Western world and Japan). His first novel, The Light that Failed, was published in 1890. The most famous of his poems of this time is probably "The Ballad of East and West" (which begins "Oh, East is East, and West is West, and never the twain shall meet").

Career as a writer

In 1892 Kipling married Caroline (Carrie) Balestier; he was 26, she was 30. Her brother Wolcott had been Kipling's friend, but had died of typhoid fever the previous year. They had initially met when Wolcott, a publisher, solicited Kipling for the American rights to his books. While the couple was on their honeymoon, Kipling's bank failed. Cashing in their travel tickets only allowed the couple to return as far as Vermont (where most of the Balestier family lived). Rudyard and his new bride lived in the United States for the next four years. In Brattleboro, Vermont, they built themselves a house called "Naulakha." (Naulakha means "nine lakhs of rupees" [colloquially, a fortune], the value of Sitabai's necklace in the novel Kipling wrote with Wolcott Balestier). The house still stands on Kipling Road: a big, dark-green, shingled house that Kipling himself called his "ship." It was during this time that Kipling turned his hand to writing for children, and he published the works for which he is most remembered today — The Jungle Book and its sequel The Second Jungle Book — in 1894 and 1895. Strong evidence suggests that Kipling's marriage was loveless and 'of convenience'; both partners stoically toughed it out for the sake of the children. Kipling's parents never saw eye to eye with Carrie, and the couple also grew further apart after the death of their son. [1]

A golf enthusiast, Kipling is said to have "invented" the game of "snow golf" while playing in Vermont during the winter months; this story has become an urban legend among golfers, but is a myth since there are numerous records of diehard golfers having played in the snow on various links courses around Scotland and England in the two centuries prior to Kipling's birth. He had learned the basics of golf in boarding school, and later played it - though he was not a golf 'addict' - in India too. In fact, in many of his short stories about colonial life in India (e.g. Plain Tales from the Hills) he mocked the 'golfing set', implying that golf was the archetypal hobby of the idle.

But then he had a quarrel with his brother-in-law, a quarrel that ended up in court. This case darkened his mind and he felt he had to leave Vermont. He and his wife returned to England, and in 1897, he published Captains Courageous. In 1899, Kipling published his novel Stalky & Co. These affecting school stories suggest something about Kipling's equivocal views of easy patriotism, and also include one of the best accounts in literature of a Latin lesson. The book also gave currency to the once popular expression, "Your uncle Stalky is a great man." The character Beetle is based on Kipling's own school days as a short-sighted intellectual boy.

In 1898 Kipling began travelling to Africa for winter vacations almost every year. In Africa Kipling met and befriended Cecil Rhodes and began collecting material for another of his children's classics, Just So Stories for Little Children. That work was published in 1902, and another of his enduring works, Kim, first saw the light of day the previous year.

Kipling's poetry of the time included "Gunga Din" (1892) and "The White Man's Burden" (1899); in the non-fiction realm he also became involved in the debate over the British response to the rise in German naval power, publishing a series of articles collectively-entitled A Fleet in Being.

The first decade of the 20th century saw Kipling at the height of his popularity. In 1907 he was awarded the Nobel Prize for Literature; "book-ending" this achievement was the publication of two connected poetry and story collections: 1906's Puck of Pook's Hill and 1910's Rewards and Fairies. The latter contained the poem "If— ". In a 1995 BBC opinion poll, it was voted Britain's favourite poem. This exhortation to self-control and stoicism is arguably Kipling's most famous poem.

Kipling sympathised with the anti-Home Rule stance of Irish Unionists. He was friends with Edward Carson, the Dublin-born leader of Ulster Unionism, who raised the Ulster Volunteers to oppose "Rome Rule" in Ireland. Kipling wrote the poem "Ulster" in 1912(?) reflecting this. The poem reflects on Ulster Day, 28th September, 1912 when half a million people signed the Ulster Covenant.

The effects of World War I

Kipling was so closely associated with the expansive, confident attitude of late 19th century European civilization that it was inevitable that his reputation would suffer in the years of and after World War I. Kipling also knew personal tragedy at the time as his eldest son, John, died in 1915 at the Battle of Loos, after which he wrote "If any question why we died/ Tell them, because our fathers lied". This wording may have been due to his hand in getting John a commission in the Irish Guards, when he would have struggled with the medical on account of his eyesight. Partly in response to this tragedy, he joined Sir Fabian Ware's Imperial War Graves Commission (now the Commonwealth War Graves Commission), the group responsible for the garden-like British war graves that can be found to this day dotted along the former Western Front and all the other locations around the world where Commonwealth troops lie buried. His most significant contribution to the project was his selection of the biblical phrase "Their Name Liveth For Evermore" found on the Stones of Remembrance in larger war graves. He also wrote a history of the Irish Guards, his son's regiment.

With the increasing popularity of the automobile, Kipling became a motoring correspondent for the British press, and wrote enthusiastically of his trips around England and abroad.

In 1922, Kipling, who had made reference to the work of engineers in some of his poems and writings, was asked by a University of Toronto civil engineering professor for his assistance in developing a dignified obligation and ceremony for graduating engineering students. Kipling was very enthusiastic in his response and shortly produced both an obligation and a ceremony formally entitled "The Ritual of the Calling of an Engineer". Today, engineering graduates all across Canada, and even some in the United States, are presented with an iron ring at the ceremony as a reminder of their obligation to society.

The same year Kipling became Lord Rector of St Andrews University, a position which ended in 1925.

Less than one year before his death Kipling gave a speech (titled "An Undefended Island") to The Royal Society of St George on 6 May, 1935 warning of the danger Nazi Germany posed to Britain.[2]

Death and legacy

Kipling kept writing until the early 1930s, but at a slower pace and with much less success than before. He died of a cerebral hemorrhage January 18, 1936 at the age of 70. (His death had in fact previously been incorrectly announced in a magazine, to which he wrote, "I've just read that I am dead. Don't forget to delete me from your list of subscribers.")

Following his death, Kipling's work continued to fall into critical eclipse. Fashions in poetry moved away from his exact metres and rhymes. Also, as the European colonial empires collapsed in the mid-20th century, Kipling's works fell far out of step with the times. Many who condemn him feel that Kipling's writing was inseparable from his social and political views, despite Kipling's considerable artistry. They point to his portrayals of Indian characters, which often supported the colonialist view that the Indians and other colonised peoples were incapable of surviving without the help of Europeans, claiming that these portrayals are racist. An example supporting this argument can be seen in Kim, his most enduring novel for adults, Kipling writing one of his most infamous lines: "He could lie like an Oriental", very early on in the book. Others include the mention of "lesser breeds without the Law" in Recessional and the reference to colonised people in general, as "half-devil and half-child" in the poem The White Man's Burden. Ironically, this poem was originally intended to be a sarcastic satire, warning of the dangers of colonialism and the oppression of native nations, however it was used instead by colonialism supporters and taken literally, word for word, as a serious justification of American and British imperialism[citation needed]. What's more, "Lesser breeds without the law" seems to have been intended to refer to Germans, not Indians[citation needed]. Other arguments countering the belief that Indians can not live without the West could clearly be seen in The Jungle Book, where a native boy, Mowgli, is able to happily live in a dangerous environment.

Kipling's links with the Boy Scout movements were strong. Baden-Powell, the founder of Scouting used many themes from The Jungle Book stories and Kim in setting up his junior movement, the Wolf Cubs. These connections still exist today. Not only is the movement named after Mowgli's adopted wolf family, the adult helpers of Wolf Cub Packs adopt names taken from The Jungle Book, especially the adult leader who is called Akela after the leader of the Seeonee wolf pack.

In modern-day India, from where he drew much of material, his reputation remains decidedly negative, given the unabashedly imperialist tone of his writings, especially in the years before World War I. His books are conspicuously absent from the English Literature curricula of schools and universities in India, except his childrens' stories. Very few universities include Kipling on their reading lists, and deliberately so, though many other British writers remain very much on the menu. However, Kipling's writings are considered essential reading in Indian universities (as anywhere else) for the purpose of studying imperialism itself, and inevitably "caused", in part, the emergence of post-colonial literature.

Kipling's defenders point out that much of the most blatant racism in his writing is spoken by fictional characters, not by him, and thus accurately depicts the characters. An example is that the soldier who speaks "Gunga Din" calls the title character "a squidgy-nosed old idol." However, in the same poem, Gunga Din is seen as an heroic figure; "You're a better man than I am, Gunga Din". Kipling's defenders also may see irony or alternative meanings in poems written in the author's own voice, including "The White Man's Burden" and "Recessional."

Despite changes in racial attitudes and literary standards for poetry, Kipling's poetry continues to be popular with those who see it as "vigorous and adept" rather than "jingling." Even T. S. Eliot, a very different poet, edited A Choice of Kipling's Verse (1943), although in doing so he commented that "[Kipling] could write poetry on occasions - even if only by accident!" Kipling's stories for adults also remain in print and have garnered high praise from writers as different as Poul Anderson and Jorge Luis Borges. Nonetheless, Kipling is most highly regarded for his children's books. His Just-So Stories have been illustrated and made into successful children's books, and his Jungle Books have been made into several movies; the first was made by producer Alexander Korda, and others by the Walt Disney Company.

After the death of Kipling's wife in 1939, his house, "Batemans" in Burwash, East Sussex was bequeathed to the National Trust and is now a public museum dedicated to the author. There is a thriving Kipling Society in the United Kingdom, and a boarding house at Haileybury is named after him.

Rudyard Kipling is buried in Poets' Corner, part of the South Transept of Westminster Abbey where many literary people are buried or commemorated.

After Kipling died, a town in southeast Saskatchewan, Kipling, Saskatchewan was named after him. The welcome sign to the town descripts a scroll and feather with the name Kipling on it to symbolize his writing career. The town has about 1000 people and has a home for the elderly called Rudyard Manor.

[edit] Kipling and the re-invention of science fiction Kipling has remained influential in popular culture even during those periods in which his critical reputation was in deepest eclipse. An important specific case of his influence is on the development of science fiction during and after its Campbellian reinvention in the late 1930s.

Kipling exerted this influence through John W. Campbell and Robert A. Heinlein. Campbell described Kipling as "the first modern science fiction writer", and Heinlein appears to have learned from Kipling the technique of indirect exposition — showing the imagined world through the eyes and the language of the characters, rather than through expository lumps — which was to become the most important structural device of Campbellian SF.

This technique is fully on display in With the Night Mail (1912) which reads like modern hard science fiction (there are reasons to believe this story was a formative influence on Heinlein, who was five when it was written and probably first read it as a boy). Kipling seems to have developed indirect exposition as a solution to some technical problems of writing about the unfamiliar milieu of India for British and American audiences. The technique reaches full development in Kim (1901), which influenced Heinlein's Citizen of the Galaxy.

Tributes and references to Kipling are common in science fiction, especially in Golden Age writers such as Heinlein and Poul Anderson but continuing into the present day. The science fiction field continues to reflect many of Kipling's values and preoccupations, including nurturing a tradition of high-quality children's fiction in a moral-didactic vein, a fondness for military adventure with elements of bildungsroman set in exotic environments, and a combination of technophilic optimism with classical-liberal individualism and suspicion of government.

The swastika

Many older editions of Rudyard Kipling's books have a swastika printed on their covers, which since the 1930s has raised the possibility of Kipling's being mistaken for a Nazi-sympathiser. Kipling's use of the swastika, however, was based on the sign's ancient Indian meaning of good luck and well-being. When the Nazis began using the symbol and it became popularly associated with them, Kipling ordered the engraver to remove it from the printing block so that he should not be thought of as supporting them. Note, too, that Kipling's swastika is "left-facing" (i.e. the top upright bends to the left) in the style typical of Buddhist use – unlike the Nazi swastika, which bends to the right.

External links

Wikiquote has a collection of quotations related to: Rudyard KiplingWikisource has original works written by or about: Rudyard KiplingWikimedia Commons has media related to: Rudyard KiplingWorks by Rudyard Kipling at Project Gutenberg Works by Kipling at the University of Newcastle Note that as Kipling's writing is mostly in the public domain, a large number of individual websites contain parts of his work; these two sites are comprehensive, containing almost everything publicly available. Something of Myself, Kipling's autobiography The Kipling Society website Kipling Readers' Guide from the Kipling Society; annotated notes on stories and poems. Kipling's Imperialism by David Cody - a brief entry on The Victorian Web A collection of contemporaneous responses to White Man's Burden A Master Of Our Art: Rudyard Kipling and Modern Science Fiction